Asia is not a monolith, and experts stress that and ese fashion companies operate very differently. is much more advanced in terms of creative direction and brand building than, professor of luxury brand management at French school, based at its campus. She points to as an example of a manufacturing led company that is still building its creative identity. has had a high focus on design for many years and is considered the hub of design and creativity in Asia. Perhaps the reason they are not at the of some European brands comes down to the ability to story tell or a culture that is less expressive and showy, which can limit international recognition.
we've seen an influx of ese designers at and MFW Men in recent seasons, as organizers understand the much needed innovation in menswear silhouettes that talents from the East can provide. For buyers and editors, was among the highlights. The designer, fresh from his 2025 Prize win, presented his best season yet, fashion director. Like the collection, added new details to classic tailoring, from heavy pleats on pants to curled lapels and silk scarves fashioned into ties or draped from pockets. This season is about bringing the fun back into getting dressed. So many designers have been interrogating and subverting dress codes,
In a new video, takes a trip down fashion memory lane and reminisces on some of her splashiest style choices throughout the years. recalls one of her very first red carpet appearances in, where she attended in a glamorous gown made by, the costume designer she was working with at the time on Noon. I invited my mother as my plus one. The following year, when she attended the Oscars, was the very first time she wore a designer label a red, beaded one shouldered gown. This dress weighed about pounds. When I got home, I had an indent on my shoulder from the weight of my dress.
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Take, who arrived on the arm of her and one of the night's presenters George in a striking, cherry red gown. The column dress, which featured a sweetheart neckline and an almost fishtail train with ruched draping details, was a custom remake of a look from haute couture fall collection. This was first appearance at the in a decade, so Clooney opted for a designer that she loves and a silhouette she knows ultimately works for her. A lover of the nostalgic bombshell aesthetic, the human rights lawyer and humanitarian often looks to vintage for her red carpet and gala outfits: sweet floral slips, clingy gowns, and a particularly statement making fuschia taffeta dress from with a billowing train worn to the Festival. Accessories and glam kept things feeling distinctly Hollywood, with a matching clutch, jewelry, and her signature deeply side parted long hair swept to the side in loose waves.
